golden triangle

Free-spirited garage/art-rock band Golden Triangle have been local fixtures in New York for a while now, banging their tambourines and chanting to minimalist punk beats at gallery parties and bars around Brooklyn and Manhattan. Originally from Memphis, Austin, and Atlanta, Golden Triangle contains former members of Angry Angles with Jay Reatard and Viva L’American Death Ray Music. Swaying wildly and chanting together like a hippie commune while somehow still playing instruments, their performances look straight out of an orgy at Warhol’s Factory—or out of Euripides’ Bacchae, since the loud, female group vocals could easily be mistaken as the cries of maenad priestesses in a frenzied, Dionysian ceremony.

Their new album Double Jointer is out March 2, 2010 on Hardly Art, and according to their blog, a split 7-Inch with the Fresh & Only’s has been in the works, too.


Golden Triangle: Neon Noose



Golden Triangle: Prize Fighter

week-end

Photographer Alex Prager debuts 'Week-End,' a photo exhibit which evokes a modern-day duality that rests on women: the pressure of being beautiful on the outside amidst a sense of uneasiness and loneliness on the inside.

Her primary inspiration is life in L.A. Shot in the neighborhood she grew up in and starring her L.A. friends, Prager disguises her subjects with enough hair and makeup that they resemble lifeless mannequins, representing the idea of a superficial, unfulfilled life in glitzy L.A.

Her photographs are on display at the Yancey Richardson Gallery in NY and at the M + B Gallery in Los Angeles. The exhibit will run in New York and L.A. until February 20th.

Yancey Richardson Gallery
now through February 20th
Tuesday - Saturday, 10 AM - 6 PM
535 West 22nd Street 3rd floor
New York City

M+B Gallery
now through March 6th
Tuesday - Saturday, 10 AM - 6 PM
612 North Almont Drive
Los Angeles

rosson crow

It’s hard not to be nostalgic for when 315 Bowery was the home of underground rock and not upscale menswear. Now the neighborhood that used to house the monumental CBGB’s is home to John Varvatos, Blue and Cream, and a Daniel Boulud restaurant. The Bowery has lost some of its dangerous edge, but there is delicate irony in the small way it is preserved; its fashion. The skinny black jeans and leather jackets that used to be seen as red flags of the misfits of society are now mass produced and sold in the windows of stores like Blue and Cream and John Varvatos.

‘Bowery Boys,’ an exhibition of paintings by Rosson Crow, explores the way that culture and art have been influenced by these groundbreaking ‘bad boys’ of days past. One painting pairs trendy nightclub Boom Boom Room with a gritty sex club of old NYC, Plato’s Retreat. The juxtaposition is off-putting, but in the same way that the old Bowery and the new Bowery would look if they were superimposed into one singular picture. Rosson, interested in the manifestation of masculinity, focuses on the iconic and alluring ‘bad boys’ – those who were written off as dangers to society and yet were still celebrated by their cult followings and who are remembered even today. Rosson’s paintings explore the lawless and exciting NYC that was thoroughly laced with rebellion. By paying homage to those who paved an unthinkable way, Rosson’s exhibit provides inspiration for current artists and a fascinating look back into our city’s often-misremembered punk culture.

Rosson Crow
Bowery Boys
March 04 — March 27, 2010
Deitch Projects
18 Wooster Street, New York


Crow's previous work:










Rosson Crow, in the flesh

Hausu

Today is the last chance to see Hausu at the IFC Center in NYC. Don't worry if you miss it, Criterion Collection has picked it up for a remastered DVD release in the fall.

Tuesday January 26th
1:15 5:35 7:10 10:15pm
IFC Center
323 Avenue of the Americas
New York City
(212) 924-7771






How to describe Nobuhiko Obayahshi's indescribable 1977 movie "House"? As a psychedelic ghost tale? A stream-of-consciousness bedtime story? An episode of "Scooby Doo" as directed by Dario Argento? Any of the above will do for more »this hallucinatory head trip about a schoolgirl who travels with six classmates to her ailing aunt's creaky country home, only to come face to face with evil spirits, bloodthirsty pianos, and a demonic housecat. Too absurd to be genuinely terrifying, yet too nightmarish to be merely comic, "House" seems like it was beamed to Earth from another planet. Or perhaps the mind of a child: the director fashioned the script after the eccentric musings of his eleven-year-old daughter, then employed all the tricks in his analog arsenal (mattes, animation, and collage) to make them a visually astonishing, raucous reality. Never before released in the United States, and a bona fide cult classic in the making, "House" is one of the most exciting genre discoveries in years. ~via ifc

holidays blow pop up shop

james whale at film forum

For those who are greater fans of a big fright than of Christmas carols, the New York Film Forum is presenting some of James Whale´s most acclaimed movies. Whale, director and pioneer of the horror genre, brought to life some of the most memorable Hollywood movies of all time. He introduced the legendary Frankenstein character to cinema audiences and was one of the first directors in Hollywood to ever use a highly mobile camera.

Apart from his horror hits, Whale also experimented with other movie genres - some of his most famous non-horror films, Waterloo Bridge (1931), The Man in the Iron Mask (1939) and the musical Show Boat (1936), will also be screened this coming week.

Screening Schedule

olivier zahm's first art show

Can anyone resist Olivier Zahm? He’s the man whose magazine, Purple, is responsible for that girl-on-girl shoot – the one with Abbey-Lee-on-Eniko-on-Freja-on-Magdelana. Zahm excels in decorating the pages of Purple with what is almost like practiced voyeurism and his ability to make blatant nudity sensual instead of tacky. And though the undeniably carnal editor-in-chief has never met a topless woman he didn’t photograph (or take home), his editorials never lose that air of elegance or mystery that Zahm himself seems to exude in that unmistakably French way.

On to conquer even more than he already has – if you’re not familiar, he is already a renowned art critic, curator, and of course founder and editor of Purple – Zahm is presenting his first solo show in the Lower East Side in Manhattan tonight, December 1st, at NYC’s Half Gallery. It will be on display through January 2nd, so plan the rest of your month accordingly to fit in a visit. We can’t wait to see if Zahm will employ the same nude-loving concepts that Purple is famous for or if he will go in a different direction – whether more demure or even more outrageous.

purple DIARY

Half Gallery
December 1 - January 2, 2010
Opening reception: Tuesday, December 1, 6-8 PM
208 Forsyth Street
New York

little dragon

Little Dragon’s songs are not what comes to mind when you think of Swedish electronic music—the Gothenburg quartet’s bass and percussion sound more like smooth jazz at times than say, The Knife, but record scratches and samples remind us we are dealing with some modern electronic masters, soaked in low-key cool. (They have collaborated with fellow Swedes and electro-jazz duo Koop, after all).

These high school friends turned electro-band are touring North America this month before heading back to Europe in early December. Catch them in NYC at Le Poisson Rouge tomorrow night, Saturday November 21, 2009.

http://www.myspace.com/yourlittledragon

midnight at the ifc

“This is a really volcanic ensemble you're wearing, it's really marvelous!”
~Duckie to Andie

If you were in denial that the eighties are back, it’s probably time to acknowledge that it is a decade that will never die – yes, shoulder pads and off the shoulder sweatshirts are that irresistible – and you may as well get on board. And what better way to celebrate eternal eighties revival than a night spent watching one of its most iconic movies?

IFC will be screening “Pretty in Pink” in its newest 35mm print this Friday, Saturday, and Sunday, at 12:05 AM each night. Hey, at the very least, it beats Jennifer’s Body.

http://www.ifccenter.com/films/pretty-in-pink/

IFC
323 Sixth Avenue
New York, NY, 10014
212-924-7771

specials

Deciding between the Met and La Esquina? Decisions no more, since artists Lisa Sigal and Paul Ramirez Jones have created an unlikely but winning combination of art and free tacos in their new collaboration Specials.

In a collaboration that makes you wonder why hasn’t anyone done this sooner, they’ve created a new exhibit called Specials that combines free food with art gallery.
Their mobile art exhibit is a two-sided 10 x 4 foot wall. One side displays the work of various artists, while the other side serves complimentary homemade tacos. Each time this exhibit is presented, they change the artists and the type of tacos, as an homage to the idea of ‘daily specials.’ Their mission statement is to “evolve following a desire to go beyond tired dichotomies of inside/outside, art audience/non art audience, viewer versus participant. It is not This or That; it is This and That.” This Thursday, the tacos will be squash, mushroom and homemade hot sauce, and the artists will be those who participated in the 1993 Whitney Biennial. See you there!

Thursday October 1, 4:00 - 8:00 PM
On the High Line in the 14th Street Passage (between 13th and 14th Streets)